Sourced from the official CC0 Open Access collections of The Met, the Rijksmuseum and the Art Institute of Chicago — every print is traceable to its original museum Object ID and digitally restored in-house, printed at up to 300 DPI.
Rachel Ruysch's dark, glowing Still Life with Flowers in a Glass Vase (c. 1690–1720) paired with William Morris's indigo Strawberry Thief pattern (1883): two centuries of botanical art for a deep-toned wall. Both from the open-access collection of the Rijksmuseum, Amsterdam.
Each frame in this 2-Piece Diptych is proportion-matched so the group aligns harmoniously above a main sofa, king bed, or dining room credenza—with built-in Bundle Savings compared to purchasing each framed piece individually.
Paper: 250 gsm museum-quality archival matte paper — uncoated, acid-free, natural off-white, zero glare.
Inks: archival pigment inks, giclée-printed at up to 300 DPI.
Frame: 20 mm solid wood in natural oak or black-stained ash with shatterproof plexiglass. Arrives ready to hang.
Canvas: stretched gallery canvas on a slim wooden frame.
Small 12×16 in (30×40 cm) — desks, shelves, gallery walls.
Medium 16×20 in (40×50 cm) — bedrooms and hallways.
Large 18×24 in (45×60 cm) — above a console or bed.
Statement 24×36 in (60×90 cm) — above a sofa or as a focal wall (selected works).
Sets: each frame is proportion-matched so the group spans a three-seater sofa or a king bed.
Every edition is printed and framed to order at the fine-art facility closest to your address in the US, UK or Europe — typically delivered in 4–6 business days, with no import duties.
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Good to know
They are museum-grade reproductions of public-domain (CC0) masterpieces released through the open-access programmes of The Metropolitan Museum of Art, the Rijksmuseum and the Art Institute of Chicago. We restore each master file in-house, keep its original museum Object ID and print it at up to 300 DPI as an archival giclée — the closest you can live to the original.
Museum Exhibition Poster — the full painting on warm alabaster borders with a fine gold curatorial filet and exhibition typography, like the posters sold at the great museum shops.
Full Classic Painting — the complete, uncropped painting surrounded by a generous printed museum border in warm off-white. Both editions show 100% of the original composition.
250 gsm museum-quality archival matte paper — uncoated, acid-free and natural off-white, with zero glare — printed with archival pigment inks.
Yes. Choose solid natural oak or a matte black gallery frame; both come with crystal-clear shatterproof plexiglass and arrive ready to hang out of the box.
Your edition is produced at the fine-art facility closest to your shipping address in the US, UK or Europe — typically delivered in 4–6 business days, with no import duties to pay on arrival.
Small 12×16 in — desks, shelves, gallery walls.
Medium 16×20 in — bedrooms and hallways.
Large 18×24 in — above a console or bed.
Statement 24×36 in — above a sofa or as a focal wall (selected works).
Our diptychs and triptychs are proportioned to span a three-seater sofa, a king bed or a dining credenza.
