Sourced from the official CC0 Open Access collections of The Met, the Rijksmuseum and the Art Institute of Chicago — every print is traceable to its original museum Object ID and digitally restored in-house, printed at up to 300 DPI.
An expansive 3-piece architectural statement combining Thomas Cole's Hudson River School masterpieces The Oxbow (1836) and The Mountain Ford (1846) with J.M.W. Turner's luminous Venice, from the Porch of Madonna della Salute (ca. 1835).
Each frame in this 3-Piece Triptych is proportion-matched in its native orientation so the frames align harmoniously above a main sofa, king bed, or dining room credenza—with built-in Bundle Savings compared to purchasing each framed piece individually.
Paper: 250 gsm museum-quality archival matte paper — uncoated, acid-free, natural off-white, zero glare.
Inks: archival pigment inks, giclée-printed at up to 300 DPI.
Frame: 20 mm solid wood in natural oak or black-stained ash with shatterproof plexiglass. Arrives ready to hang.
Canvas: stretched gallery canvas on a slim wooden frame.
Small 12×16 in (30×40 cm) — desks, shelves, gallery walls.
Medium 16×20 in (40×50 cm) — bedrooms and hallways.
Large 18×24 in (45×60 cm) — above a console or bed.
Statement 24×36 in (60×90 cm) — above a sofa or as a focal wall (selected works).
Sets: each frame is proportion-matched so the group spans a three-seater sofa or a king bed.
Every edition is printed and framed to order at the fine-art facility closest to your address in the US, UK or Europe — typically delivered in 4–6 business days, with no import duties.
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Good to know
They are museum-grade reproductions of public-domain (CC0) masterpieces released through the open-access programmes of The Metropolitan Museum of Art, the Rijksmuseum and the Art Institute of Chicago. We restore each master file in-house, keep its original museum Object ID and print it at up to 300 DPI as an archival giclée — the closest you can live to the original.
Museum Exhibition Poster — the full painting on warm alabaster borders with a fine gold curatorial filet and exhibition typography, like the posters sold at the great museum shops.
Full Classic Painting — the complete, uncropped painting surrounded by a generous printed museum border in warm off-white. Both editions show 100% of the original composition.
250 gsm museum-quality archival matte paper — uncoated, acid-free and natural off-white, with zero glare — printed with archival pigment inks.
Yes. Choose solid natural oak or a matte black gallery frame; both come with crystal-clear shatterproof plexiglass and arrive ready to hang out of the box.
Your edition is produced at the fine-art facility closest to your shipping address in the US, UK or Europe — typically delivered in 4–6 business days, with no import duties to pay on arrival.
Small 12×16 in — desks, shelves, gallery walls.
Medium 16×20 in — bedrooms and hallways.
Large 18×24 in — above a console or bed.
Statement 24×36 in — above a sofa or as a focal wall (selected works).
Our diptychs and triptychs are proportioned to span a three-seater sofa, a king bed or a dining credenza.
